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  6. There is a new (as of mid 2019) version of the same course which I call 'PlaneTalk Online'. The original book is there in digital format, so is the 'slide rule' and the original DVD in streaming video format. But there is also a whole new section that teaches the PlaneTalk mindset in a series of 36 videos. Plus you get the discussion forum and the 20-odd PlaneTalker Lessons that come with the package. A whole lot for your $74 and the best thing is, you gain instant access. Simply order and come back here to login with the username/password you will will chosen. ORDER HERE Kirk Lorange
  7. If you have purchased the online version and are wondering why you never got a notification it's probably because it went to your spam folder. In any case, all you need to do is sign in (upper right hand corner of this page) with the username/password you chose when registering. Easy, enjoy the 'easiest yet most powerful guitar lesson you will ever learn'! Kirk
  8. Who is it for? I wrote PlaneTalk for all those players who have a good understanding of the basics: they know the basic chord shapes, understand how barre chords work; players who can pick out a melody line and play scales; players who may have started to dabble in the art of improvisation ... players who want to be able to use the whole fretboard, not just the first few frets. Players who have 'hit the wall' and are looking for that next phase in their learning. Players who want to know what the 'trick' is. So it's not for beginners? I didn't write it for beginners, but many have bought it and are glad they did. I certainly wish I had been shown this when I started out. Is it about all the different scales and modes? No. I have always seen scales as building blocks, not real music. I think it's essential to understand what scales are, how they differ, but I have never seen scales as being helpful to creating melody, to improvising, to navigating a melodic path through a chord progression, to understanding the way music imposes herself on a fretboard. To my mind, there is one very important scale to understand inside out, and that is the Major Scale. It is the source of all music. So what's it about then? It teaches a way of thinking about music and the guitar, a way of seeing the whole fretboard in context at all moments. Every piece of music is a series of moments, each ruled by the chord that is in play. If you can see that chord for what it really is--a selection of 3 or 4 notes (plus their duplicates and octaves) that are scattered the length of the fretboard--then you can literally 'see' the potential, the possibilities, whether chordal or melodic. So it's like a fretboard map? In a way. But it's not a static map of all the note names, it's dynamic, it keeps track of the numbers of all the notes, which is much more informative. That sounds very complicated and mathematical. Music, especially when played on a guitar, is not easy to understand, anyone starting out can vouch for that. The way guitars are tuned (with that kink where the B string is tuned to the 4th fret of the G string instead of the 5th fret all the other strings use), coupled with the very asymmetric structure of Music, precludes any repetitive pattern you can follow on the fretboard. But there is a very simple, uncomplicated way of decoding it all, one that solves everything at once. What is it? It's a simple visualization technique, which, by the way, has nothing to do with remembering movie stars names or any other silly game. It is something that is pure music. What do you visualize? You need to buy the book for the answer to that. Why the comic strip? I have found over the many years of passing this on to my fellow twangers that the easiest way of explaining it is in conversation rather than listing cold hard facts. I have the student in the book ask all the 'right' questions for me to pass this knowledge on; you get to listen in. It is in fact this user friendly format that really makes PlaneTalk unique. In the end, there is only one system called 'Music' and one fretboard layout ... but, there are many ways to explain how it all works. PlaneTalk uses plain English, some powerful analogies, some simple graphics and the Slide Rule. What is the Slide Rule all about? The Slide Rule displays, at a glance, what the book teaches. It shows you how to set your brain to the right wavelength. It also reveals exactly how the guitar works, how music lays herself out in standard tuning. Is the DVD the same thing? No, the DVD actually shows you in real time and real playing how the PlaneTalk mindset can set your playing free, how the simple visualization can lead you to play anything, anywhere on the neck, with the confidence of knowing it's going to be right. So what the book/slide rule teach, the DVD demonstrates. Is this the CAGED system? No. It is one layer deeper than CAGED. It makes seeing the CAGED template dead easy, and adds detail. I still haven't read the Fretboard Logic book, so I can't compare, but Nick Torres from Guitarnoise.com says in his review that it makes the CAGED system look like brain surgery by comparison. So what will I gain from reading PlaneTalk. First of all, you will be reminded of the basics of music theory. You will be shown why and how chords really rule the roost, and then how to see them for what they are (neck-long structures) and how to find them instantly. You will learn how to use all of the bits and pieces, how to turn them into melody, other voicings, harmony lines ... whatever. How to use the entire fretboard. You will also learn about 'hearing' music and knowing what it is without even playing anything ... recognizing by ear the chord changes and knowing why they are what they are. What goes on in the PlaneTalkers Forum? Plenty!! It's a very active forum (many members here are also members of the PTF). We leave no stone unturned where it comes to finding your way around the fretboard and making music. We upload examples of playing along to backing tracks, give and take constructive criticism, discuss the PlaneTalk mindset at length and generally feel very chuffed about knowing 'The Trick'. There are many PlaneTalker lessons there as well, all designed to reinforce the mindset. How long would it take me to gain fretboard freedom, as you put it? Like all aspects of learning a musical instrument, time and practice are the main ingredients to progressing, however knowing WHAT to work on is the most important thing. I can guarantee that once you fully digest the lesson that PlaneTalk teaches, you will never again wonder what to practice. Many have told me that when they bought PlaneTalk, they bought their last 'How to play guitar' book. Have other questions about PlaneTalk? Contact me here. Where do I go to order it? If you'd like to order PlaneTalk, you can order the Original PlaneTalk Package here or if you would like to order the new PlaneTalk Online and get instant access, you can order that from here.
  9. The online version of my 'Everything Package'. The only thing I send out is the brass slide, the rest is all online.


  10. Vinceb I love my Tele I've also got a Epiphone semi hollow one. I'd also like a PRS and a Gretsch but I think the wife would go nuts so I'll just stick with the two guitars for now. See ya mate

  11. Chris where are you from I'm from Australia. How's the guitar going.

    1. chrishill



      I am from Northern California, U.S.

    2. kelvin


      Chris I see you have been a member for a long time now, I'm only getting started with this course is it as good as it seems. I started learning triads about three months ago on strings 1,2,3 and 2,3,4 until I found this site your opinion would be appreciated. By the way your weather would be the same as in Coffs Harbour NSW ……… BEAUTIFUL cheers.

    3. chrishill


      Well, I have bought dozens, more likely hundreds of books and videos and website subscriptions as well as attended some university for learning guitar and I do think that this is the most straight forward and direct path into improvising.  I had studied triads pretty extensively before purchasing Plane Talk, and was already approaching improvising thinking in and around chords instead of scales.  I found Plane Talk when searching online for courses on soloing with triads or chord tones, mostly because I wanted to see if anybody else was doing it and if it was working for them, also to help me do it better.  Now it obviously works for Kirk- watch his Red Strat Blues video in the Plane Talker lessons above- and for many other people on the forum.  Personally, even with the information, I still struggle to play freely and I've been playing for quite a long time.  For me, at least this far, my ears don't make the connections that my hands and eyes do.  So I can play pretty decent stuff, but it never feels free or inspired because the ideas are coming from my eyes and hands and I can't seem to get my ears to participate to where I am playing what I hear, instead of just hearing what I play.  I hope this doesn't discourage you, as I said before many members here have great testimonies and have even posted improvisations to show their improvement.  Kirk is great at responding to questions here on the forum, sometimes it takes a few days, but he usually will reply.  The point he makes over and over is that the shapes are a map, guide posts that remain constant with each other and change positions with each chord change.  The shapes are all the same bit of material (5-1-3 triads) just on different string sets, what you play with one you can play with the others.  Everything you play can be analyzed in relation to these three shapes.  


      Good luck, and good progress. 

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